Caribbean
Jamaica's offbeat and sound systems: reggae and dancehall.
Reggae is slow and deep, with roots and dub space; dancehall is digital, faster and made for parties.
What they share
- Offbeat guitar
- Heavy bass
- Jamaican Patois
How to choose
Starter prompt
Roots reggae, 75 BPM, short clean guitar upstrokes on the offbeats, deep heavy bassline, one-drop drums, organ bubble, dub echo, warm male vocalsA general starting point for this family; swap in a specific style’s keywords for sharper results.
Side by side
| Style | Era | BPM | Mood | Good for |
|---|---|---|---|---|
| Ska | Late 1950s–present | 110–160 | Bright & sweetGroove & energyNostalgic | Party & dance floor · Everyday & school |
| Reggae | Late 1960s | 60–90 | Warm & intimateCalm & focusedGroove & energy | Everyday & school · Party & dance floor |
| Dub | Late 1960s–present | 60–80 | Dreamy & floatingCity nightCalm & focused | Night drives & city walks · Study & focus |
| Dancehall | 1980s–present | 90–110 | Groove & energyBright & sweetCity night | Party & dance floor · Short video & beat sync |
All styles
SkaGuitar chops on the offbeat and a cheerful horn section: dance music faster than reggae and sweeter than punk.
ReggaeA light stroke on the offbeat, giving both protest and love a sunny ease.
DubReggae taken apart: drums and bass up front, voices and instruments drifting in and out of echo, the mixing desk itself as an instrument.
DancehallDigital reggae: faster, more electronic, made for the dance floor, DJs toasting over riddims.