Cinematic & Game

Music doesn't just describe the picture; it arranges how the audience lives through it.

Puts human breath and machine pressure to work in the same story.

Gives mountains, peoples and characters sonic memories that are recognisable and can change.

Lets small changes accumulate until they shift the weight of a whole stretch of time.

Whistling, echoing electric guitar, whip cracks and choral cries: a showdown in the noon desert.

Makes every town and every farewell a place on the journey you can come back to.

Lets the castle keep its former beauty while letting you hear what it's hiding.

The sound field of a high-tech, low-life world, not one fixed style.

First ask how this world sounds, then decide whether it needs familiar instruments.

Makes listeners start doubting the space instead of seeing the monster right away.

Gives traditional timbres a place of origin, and gives the fused sound a life of its own.

Lets music respond to what the player is doing while keeping its own narrative breath.

Songs written on old console sound chips: square, triangle and noise waves that take you straight back to childhood.

Lets a song say what a character can't do yet, and hasn't admitted yet, right now.

Lets one melody gradually become a relationship through meeting, missing each other and reunion.

Characters drive the plot through song, orchestra and chorus pushing emotion to a showstopper.

Optimistic, clean, unobtrusive background music written for launches, promos and tutorials.

Simple melodies, repeated lyrics and gentle tones: songs for children and for bedtime quiet.